Difference between Chromatic and Ultramarine

CHROMATIC vs ULTRAMARINE: NOUN

A vivid blue to purple-blue color
A brilliant pure dark blue or slightly purplish colour.
A brilliant blue pigment that is either extracted from mineral deposits or made synthetically.
A pigment which is the residuum of lapis lazuli after the ultramarine has been extracted. It was used by the old masters as a middle or neutral tint for flesh, skies, and draperies, being of a purer and tenderer gray than that produced by the mixture of more positive colors.
A green pigment obtained as a first product in the manufacture of ultramarine, into which it is changed by subsequent treatment.
A blue pigment formerly obtained by powdering lapis lazuli, but now produced in large quantities by fusing together silica, alumina, soda, and sulphur, thus forming a glass, colored blue by the sodium polysulphides made in the fusion. Also used adjectively.
Azure-stone.
A beautiful natural blue pigment, obtained from the mineral lapis lazuli, a variety of haüyne.
A vivid or strong blue to purplish blue.
A similar pigment made synthetically by heating clay, sodium carbonate, and sulfur together.
A blue pigment made from powdered lapis lazuli.
Blue pigment made of powdered lapis lazuli
Vivid blue to purple-blue

Able to refract light without spectral color separation
Relating to or characterised by hue.
The scale consisting of thirteen tones, including the eight scale tones and the five intermediate tones.
Printing from type or blocks covered with inks of various colors.
See Aberration, 4.
Proceeding by the smaller intervals (half steps or semitones) of the scale, instead of the regular intervals of the diatonic scale.
Relating to color, or to colors.
Relating to chords or harmonies based on nonharmonic tones.
Of, relating to, or based on the chromatic scale.
Relating to color perceived to have a saturation greater than zero.
Relating to colors or color.
Based on a scale consisting of 12 semitones
Being or having or characterized by hue
Having the capacity to separate spectral colours by refraction.
Regarding all twelve traditional Western pitch classes, regardless of temperament or intonation; Regarding entire sets of alternative pitch class systems.

Relating to or of the nature of color.
In music: Involving tones foreign to the normal tonality of a scale, a harmony, or a piece; not diatonic, Involving the use of the black notes on the keyboard, or of sharps and flats on the staff.
In cytology, of or pertaining to chromatin, the stainable substance of the cell-nucleus.

Purplish, Mouselike, Earthlike, Ocher, Colored, Coppery, Cerulean, Bronzy, Blueish, Umber, Orangish, Mauve, Violet, Magenta, Ultramarine

Ochres, Yellow ocher, Carmine, Indigo, Raw sienna, Ocher, Violet, Cerulean, Mauve, Cerulean blue, Umber, Sienna, Chromatic, Colored, Ultramarine blue

Purplish, Mouselike, Earthlike, Ocher, Colored, Coppery, Cerulean, Bronzy, Blueish, Umber, Orangish, Mauve, Violet, Magenta, Ultramarine

Ochres, Yellow ocher, Carmine, Indigo, Raw sienna, Ocher, Violet, Cerulean, Mauve, Cerulean blue, Umber, Sienna, Chromatic, Colored, Ultramarine blue

Stock lenses have only average chromatic aberration performance.
Chromatic Peril Sensitive sunglasses had turned utterly black.
They are less deeply chromatic, through occasionally pycnotic.
Video: Chromatic scale full range of the instrument.
It is also known as edge chromatic number.
Chromatic Dispersion Chromatic dispersion represents the fact that different colors or wavelengths travel at different speeds, even within the same mode.
Chromatic Dispersion The refractive index of every material depends on the optical frequency; this property is referred to as chromatic dispersion.
Chromatic Aberration Lateral chromatic aberration is caused when the camera lens focuses different wavelengths of light at slightly different distances.
Chromatic Aberration All simple lenses have chromatic aberration.
We present a detailed motivation for the notions wavelet series that combine chromatic series with sampling of the chromatic derivatives and the chromatic expansions.